A Night at the Opera - Queen
probably the most flawless album
the problem here is an even better album was created by Queen themselves in 1974, and it was called...
10. Queen II
Bohemian Rhapsody ain't got shit on the March of the Black Queen. As good as A Night at the Opera is, I feel Queen II is a much more cohesive release: it feels like an album, rather than a jumble of songs. A Night at the Opera goes from the spiteful Death on Two Legs to "I've got a feel for my Oldsmobile" in no time flat. Queen II breaks stride at times, but it's nothing compared to a Night at the Opera, and there's definitely a single, identifiable tone to this album.
Queen II just fucking rocks, honestly. Freddie Mercury's vocals are fucking phenomenal, the guitar can pierce your very soul, and the piano...
9. Pink Floyd - Animals
TEA_DEMON kinda expressed my thoughts on this pretty well, but I'll say that Animals is most certainly pink floyd's best album (following their second best chronologically) and it somehow preceded their second-worst album, that atrocious, lengthy mess that was The Wall: music I'm perfectly fine with Roger Waters claiming to own exclusively. Animals has so many fantastic moments, and is simply fantastic to listen to at all times: truly a classic.
8. Morphine - The Night
Morphine fans seem to be so few and far between in my experience, and I hope it's just because of inadvertent ignorance of their existence. Mark Sandman is a poet masquerading as a singer, and can tell somber tales of loss and desperation, or stories of girls, good booze and parties set to pulsing bass and roaring saxes. Released shortly after his death, The Night is probably Morphine's saddest release in terms of content: it's not nearly as rife with upbeat, driving songs found in the previous albums. I'd recommend it in a heartbeat to anyone not vehemently opposed to musical enjoyment: there's really no band out there quite like Morphine.
7. Justice - Cross
The only grievous misstep in this album is the abomination known as "the party," and if you delete that track from the album, it still flows beautifully and you get the rocking bass and kickass, uh, everything without fucking Uffie ruining everything. Cross is probably one of the better electronic albums out there, and it's pretty much a hit with anyone who likes anything vaguely electronic, and with good reason.
6. At the Drive-In - Relationship of Command
If I could define the one thing in any album that I find enjoyable, it would be "intensity," and if this album isn't intense, nothing is. It pretty much hits you like a freight train, but one you're always sad eventually ends. This is also pretty much the driving album for me, and it's pretty much permanently lodged in one of the slots of my car's CD player.
5. CAKE - Comfort Eagle
I've been listening to Cake for as long as I can remember, and they're the only band that I've really stuck with since I started listening to music. They're just so damn fun and catchy. Their whole discography is flawless for certain, but I think this is the album that I love the most: it's just so consistently perfect. I can see how the vocals can be a bit abrasive, seeing as they're not really... sung, so much as spoken, but I love them all the same, as they're pretty easy to understand and fun to sing along with.
4. Silversun Pickups - Carnavas
I don't think this album would've come close to my top 10 even four or five months ago, but out of fucking nowhere I fell head over heels in love with it. The instruments alone provide the most bizarrely emotional amalgamation of noise I've ever had the fortune of experiencing. Something about the fuzz of the guitar, the drums, and the vocals, themselves more an instrument than a voice tugs at the heart in such a unique way.
3. Why? - Alopecia
I understand wholly the people who think Why? is absolutely horrendous, because some nasally Jewish dude rapping is probably not the first thing I thought I'd enjoy, but holy shit, this album. The lyrics are just unbeatable sometimes. Yoni Wolf is really clever, and some of these songs consistently blow me away when listening: some of them really are just poetry set to music, and By Torpedo Or Crohn's is possibly one of my favorite songs ever. The instrumentation's also a lot of fun, with everything from marimbas to pulsing bass to piano. I can and do listen to this for hours, it's just endlessly entertaining.
2. The Strokes - Is This It?
perhaps it's the teenager in me, but there's something about this album... It's been my highest highs and my lowest lows, and pretty much everything in between. It's fun, upbeat, rock 'n' roll, and yet it manages to be really fucking depressing sometimes. It's kinda hard for me to express how much this album means to me beyond that, it probably hits closer to home than anything else here.
1. King Crimson - Red
I used to listen to this album probably three times daily, minimum. Though it's sorta fallen by the wayside in recent months, we are taking top albums of all time, and I listened to this at least once a day for a good year and a half. As far as I'm concerned, it really is musical perfection, and King Crimson circa 1974 is the greatest collection of three musicians to ever. Robert Fripp's guitar, from the driving rock in Red to the somber acoustic guitar in Fallen Angel...
Bill Bruford kills it on the drums, managing to display a mastery of percussion: I find the best drummers are the ones who know when not to play, and Bruford is a master of restraint. He knows when to hold back, and when to go all out, and it shows.
John Wetton's vocals stand the test of time a lot better than previous Crimson lyricists, being a bit less lofty and more down-to-earth than the previous six albums.
And Starless. Holy shit, Starless. The haunting mellotron, and the batshit insane sax... just, everything.